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<?xml-stylesheet type="text/xsl" href="http://blog.newsweek.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Picture of the Day:  August 9, 2008</title><link>http://blog.newsweek.com/blogs/olympicpix/archive/2008/08/09/picture-of-the-day-august-9-2008.aspx</link><description>Photograph by Vincent Laforet for NEWSWEEK Our photographer, Vincent Laforet, had never shot fencing before today. Even though he fenced as a youngster, he'd never, until today, pointed his camera at the sport. I've selected this picture as Picture of</description><dc:language>en</dc:language><generator>CommunityServer 2.1 SP2 (Debug Build: 2.18)</generator><item><title>re: Picture of the Day:  August 9, 2008</title><link>http://blog.newsweek.com/blogs/olympicpix/archive/2008/08/09/picture-of-the-day-august-9-2008.aspx#558311</link><pubDate>Sat, 09 Aug 2008 18:55:48 GMT</pubDate><guid isPermaLink="false">544c64cf-7058-4151-925a-a0fd041e73dd:558311</guid><dc:creator>mmmkay</dc:creator><description>&lt;p&gt;I don't agree. The picture, as shown, does not work for me because there is too much dead space, so much so that the energy of the moment is lost. I also can't help but squint at the scoreboards to try to read the numbers - they are a distraction. Now, I'm a big fan of Laforet's work, but this is definitely not one of his stronger photographs. It's a good attempt but ultimately a failure for me, but at least it's an interesting failure. As for the technical comment about &amp;quot;point and shoot&amp;quot; cameras - the problem is that there aren't many consumer point-and-shoots (&amp;quot;consumer&amp;quot; meaning auto-mode only) made at the time of this writing that will meter the scene correctly. You would definitely need a manual override of some sort to avoid severe overexposure resulting from the metering being fooled by the dominant blacks in the scene.&lt;/p&gt;
&lt;p&gt;How to improve this photograph? I would probably do a severe crop, right down to just above the fencers' heads and in from the right to just barely include the scoreboard to which the right-hand-side fencer's rear leg is pointing. As I mentioned earlier I don't like the scoreboards being there, but the one near the fencer is necessary to balance out the one at the far left of the scene. The most important sub-detail in the photograph, the Olympic rings, is preserved in the crop, as is the streak of blue which nicely interconnects the fencers to the Olympic rings. As a complementary color, the blue also balances out the redness of the scoreboards, making them a little less distracting.&lt;/p&gt;
</description><category>Blog: Visions of China: A 2008 Olympics Picture Blog</category></item><item><title>re: Picture of the Day:  August 9, 2008</title><link>http://blog.newsweek.com/blogs/olympicpix/archive/2008/08/09/picture-of-the-day-august-9-2008.aspx#558478</link><pubDate>Sat, 09 Aug 2008 20:19:28 GMT</pubDate><guid isPermaLink="false">544c64cf-7058-4151-925a-a0fd041e73dd:558478</guid><dc:creator>MarcoTogni.it</dc:creator><description>&lt;p&gt;mmmkay , will you preserve the 3:2 ratio in your ideal crop? In my opinion that ratio is very important, even somebody I know doesn't care about it so much.&lt;/p&gt;
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