Newsweek - National News, World News, Health, Technology, Entertainment and more... | Newsweek.com

HEADLINE HEADLINE HEADLINE

SPONSORED BY
  • Nerds Rejoice: 'Watchmen' Lawsuit Settled, 'Tintin' Movie Coming

    Patrick Enright | Jan 16, 2009 03:56 PM

    Phew. Warner Bros. and 20th Century Fox have settled their lawsuit over the hotly anticipated movie adaptation of Alan Moore and Dave Gibbons' legendary graphic novel "Watchmen." Fox will reportedly get a payout from WB, but, and this is key, the March 6 release date won't be affected. That's good. However, the movie's still directed by Zack Snyder, helmer of the execrable, plotless "300." That's bad. And yet … the trailers appear to hew quite closely to the look of the original, enough so that even skeptical fans will certainly head into theaters to see for themselves. But wait. Has there ever been a good adaptation of a Moore opus? (Short answer: no. Sorry, "From Hell" and "League of Extraordinary Gentlemen" *shudder*.) And the rumors that the ending of "Watchmen" has been changed don't inspire confidence.

    (MTVNews)


    In even better graphic novel news, Steven Spielberg's animated "Tintin" movie starts production in a couple of weeks. Spielberg and "Lord of the Rings" genius Peter Jackson are swapping producing and directing duties on the first and second movies about the young reporter and his curmudgeonly, alcoholic sailor pal, Captain Haddock--Spielberg will reportedly be directing the first, with Jackson producing, and Jackson will direct the sequel while Spielberg produces. The story of the first will combine two of the classic comic books, "The Secret of the Unicorn" and "Red Rackham's Treasure." Andy Serkis, who "played" Gollum in the "LotR" movies, will again be sporting that oh-so-fashionable motion-capture suit, with Simon Pegg ("Shaun of the Dead") reportedly also co-starring. No word yet on who will be portraying fluffy white terrier Snowy.

    (ComingSoon)

    More
  • Okay, Possible Solution to the Whole Geese-Plane Conundrum

    Sarah Ball | Jan 16, 2009 03:30 PM


    Sully might have a gazillion airline-safety gold stars, but Anna Paquin has a Golden Globe.
    More
  • Advertisement
  • NYC on the Small Screen: Why Its Best Portrayal Has Nary a Cosmo, Pink Stiletto or "Central Perk" In Sight

    Andrew Romano | Jan 16, 2009 02:30 PM


    It’s no secret that America’s attitude toward New York City is somewhat schizophrenic. Nor is it particularly perceptive to note that pop culture has long reflected our mixed feelings about the metropolis. On one hand there’s the Big Apple: a fizzy, fashionable  escape from suburbia. On the other there’s dark and dangerous Gotham: the city as a source of schadenfreude for small-town residents eager to see immoral urbanites suffer for their sins -- preferably with lots of explosions.

    In moments of relative calm -- like, say, the pleasant, prosperous 1990s, when the TV version of New York was filled with "Friends" who rarely saw the need to, you know, go to work -- the whole love-hate dynamic can be sort of muted. (See also: Sex and the City, Seinfeld.) But real-world meltdowns always seem to revive our glam-or-grit ambivalence toward the city. During the Depression, public enemies like James Cagney rubbed elbows with screwball sophisticates like Cary Grant; the 1970s welcomed the "Mean Streets" of Martin Scorsese to Woody Allen’s urbane "Manhattan." In times of trouble, it seems, we search for a place to fantasize about and a place to pity. And then cast New York in both roles.

    Which brings us to our current crisis. The ongoing evisceration of New York’s iconic industries -- finance and media -- has provided hordes of jobless bankers and journalists with plenty of time to blog about the possibility of economic apocalypse. Sales of imported ham, ironic sunglasses and designer doorknobs have plummeted. Even Del Posto, Mario Batali’s flagship restaurant, has lowered the price of its nine-course “grand tasting” menu from $175 to $125. But amid such agony, popular culture has broken with tradition and given us a New York that’s all glamor, no grit. The bitchy Upper East Siders of “Gossip Girl.” The leggy mannequins of “The City.” The preposterous waterfront housing of “The Real World: Brooklyn.”

    Until, perhaps, now. This Sunday marks the premiere of the second season of a show -- the only show, in fact--that realistically represents how the other half of recession-era New York lives. Its name: “Flight of the Conchords.”

    [CLICK "MORE" FOR FULL STORY]

    More
  • Morning Mix: Things to Do/Look Forward To Over the Long Weekend

    Sarah Ball | Jan 16, 2009 09:27 AM
    • Don Cheadle Must've Thought He Signed On for a 'Hotel Rwanda' Sequel. Instead he's opening today in kiddie flick "Hotel for Dogs" -- joined at the theaters by "My Bloody Valentine 3D," an in-your-face horror experience; "Paul Blart: Mall Cop," in which Kevin James manuevers a Segway in the suburbs; and "Notorious," the B.I.G. biopic. Also going wide after limited runs are Daniel Craig's "Defiance," a Holocaust film, and romantic comedy "Last Chance Harvey," co-starring Emma Thompson and Dustin Hoffman.  A big slate for a January weekend -- even a long weekend -- as the month is usually very quiet for film. [Variety]

    • One Step Closer to Seeing Amy Poehler in Khaki Uniform?  NBC announced late yesterday that they'll renew "The Office," "30 Rock," and a struggling "Heroes" -- duh -- but they also revealed an April 9 premiere date for the as-yet-untitled Poehler project, originally slated as an "Office" spinoff before apparently becoming an un-spinoff.  The plot revolves around Poehler as an awkwardly overbearing parks/recreational services employee.  Can't.  Wait. [Hollywood Reporter]

    • Casey Affleck Asks Joaquin Phoenix If He Can Film Him.  The younger Affleck will train a lens on Phoenix ("Gladiator," "Walk the Line") for an upcoming documentary about Phoenix's career -- in music.  Phoenix, whose first album will be produced by Diddy, has recently said that he may not return to acting so that he can focus on his rap.  We're envisioning Ross, holding the two-octave keyboard -- only a lot better. [Hollywood Reporter]
    More